Undergone Font Family
Decorative and sharp script typeface.
OTF | 2 Fonts | JPEG Preview | 1 Mb RAR
Ukraintica 4F Font Family
OTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR
Trim Mono Font Family
Knud V. Engelhardt (1882–1931) was an architect, printer and designer from the country of our laid back neighbours, Denmark. Knud’s characteristic letter forms have already made a strong impression on some modern typefaces. Most notably is probably Skilt Gothic by a fellow Swedish compatriot, where Knuds way of trimming the diagonal stems is one of the spices used to give the typeface its character. Fighting against the desire to make something similar, this new typeface instead takes the concept to a whole new level by trimming not only diagonals, but all possible letters! The result is something – different. Trim comes in a large family including manually hinted webfonts and high quality desktop fonts. Some are fat, some are skinny and some are just lagom. This is the monospaced version of Trim.
TTF | 5 Fonts | JPEG Preview | 1 Mb RAR
Trajan Pro 3 Font Family
Since its initial release in 1989, Trajan has risen to international popularity as a distinctive and versatile display type family. Carol Twombly's sensitive interpretation of the Roman capitals inscribed at the base of Trajan's column in Rome serves as a testament to her skills as a designer, and to the craftsmanship of the ancient lettering artists who devised these elegant and enduring letterforms. Responding to requests from our customers for broader language coverage and for more weights, Adobe set out to extend the family. Principal Designer Robert Slimbach added Greek and Cyrillic as well as four new weights - two lighter than the original offering, and two heavier. The extended family now provides users with a range of six weights that vary in personality and function. Alongside his extension of Trajan Pro, Robert also created the Trajan Sans type family, which offers users a contemporary and stylish variation of the original seriffed design (see Related OpenType Packages link below).
OTF | 6 Fonts | JPEG Preview | 1 Mb RAR
The Sketchnote Typeface Font Family
The Sketchnote Typeface was born of necessity: veteran designer and illustrator Mike Rohde needed a series of hand-drawn fonts to produce his recent book, The Sketchnote Handbook (2012, Peachpit Press). Because of its origin, the typeface was designed to be practical, to convey the human character and quirks of Rohde’s normal handwriting and unique hand-drawn lettering with the benefits inherent in digital fonts. Sketchnote Square is a bold, somewhat compressed headline type that complements the Sketchnote Text fonts. Drawn instead of written, the characters in Square have neat little happenstance voids within the strokes. Square also includes a handy selection of fun icons, rules, and arrows—some functional tidbits for your design projects. They are accessible via the OpenType feature “Ornaments” or “Stylistic Set 2” For added convenience, those same fun icons, rules, and arrows are also available as a standalone font, Sketchnote Dingbats, which comes packaged with Square and the full family package. The texture of Sketchnote is the result of actual ink-spread on paper, captured in scans of the written letterforms and left intact during production to preserve that feeling. Under the hood, the texture was carefully edited by hand, eliminating outline errors and keeping the point count low for optimal performance. These fonts are crafted to the highest industry standards. Sketchnote Square is best used at larger sizes for headlines, titles, packaging, etc. Sketchnote is great for a variety of projects where a handcrafted aesthetic and ease-of-use are desired.
OTF | 5 Fonts | JPEG Preview | 1.9 Mb RAR
The Meez Font Family
The Meez is a geometric, extremely extended sans-serif typeface strictly intended for use as a display font. The family consists of three styles: Light, Regular and Bold. In each weight, all letterforms retain the same width, which make it ideal for titling use.
OTF | 3 Fonts | JPEG Preview | 1 Mb RAR
Tansy is an organic, modern and casual calligraphy font, made by hand. I've designed “Tansy” carefully with the intention to preserve in its glyphs the original textured appearance for a more personalized effect even more authentic. Tansy font has OpenType features such as Ligatures, Contextual alternates, swashes, stylistic sets and stylistic alternates that allows you to mix and match pairs of letters to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. This font is a perfect choice for greeting cards, posters, labels, t-shirt design, logos, and more. Tansy was made to make your project more beautiful and attractive! Have fun with it!
OTF | 1 Font | JPEG Preview | 4.2 Mb RAR
Systopie Font Family
Systopie is inspired by stories where fears about dehumanized futures are shown.
OTF | 4 Fonts | JPEG Preview | 6.2 Mb RAR
Viddy this: when the Korova Milkbar became a global franchise in 2001, Typodermic Fonts had been commissioned to design their choodessny official display font. Tragically, the entire Korova chain has been recently acquired by Starbucks and they’re no longer using the Synthemesc font. Luckily, you can still shvat a chasha of moloko plus with synthemesc, vellocet or drencrom at any Starbucks.
OTF | 1 Font | JPEG Preview | 3.8 Mb RAR
Swarha Neue Font Family
Built in 1930 - 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This building has an important role as one of Bandung historical art deco heritage, with the art deco typefaces styles on it’s singage in this building, giving it a more classic west and east taste. Wolff Schoemaker was trying to combine the elements between eastern and western culture in design. One of his works was the Swarha Islamic Building in a circular design with rounded and high dynamic angle. Unfortunately the Swarha Islamic Building has been abandoned and and less attentioned by the local people itself to preserve this historic building. So I'm trying to raise the value of the historical heritage by creating this typefaces.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR